Audiovisual preservationist with 19 years of professional experience in cultural heritage management and the audiovisual market. Bachelor in Film Studies (Fluminense Federal University - UFF, Brazil) and Master in Preservation and Presentation of the Moving Image (Universiteit van Amsterdam - UvA, the Netherlands). After the MA, worked for one year at the EYE Filmmuseum. From 2016 to 2020 worked at the Cinemateca Brasileira. Currently is the co-curator of the audiovisual preservation symposium of the film festival CineOP - Mostra de Cinema de Ouro Preto (since 2017) and gives lectures on cinema and audiovisual preservation.
Mariana Nunes graduated in Theater Interpretation at the na Faculdade de Artes Dulcina de Moraes (Brasília-DF), studied acting for TV and cinema at Instituto del Cine (Madrid-SPA) and has a long career in cinema as an actor in films such as Zama (Lucrecia Martel, 2017 ), Pelé – The birth of a legend (Jeff Zimbalist, Michael Zimbalist, 2017), São Jorge (Marco Martins, 2016), Overgod (Gabriel Mascaro, 2019), among many others .
Rafael de Luna Freire, Ph.D., is a Film Professor in the Film and Video Department and in the Film and Audiovisual Graduate Program at Federal Fluminense University (UFF), in Niterói, Brazil, where he is the Head of the Audiovisual Preservation University Laboratory (LUPA), the first film archive in Brazil dedicated to small-gauge film.
Rafael has been active in the Film Preservation field for more than fifteen years. He was Head of Documentation at the Film Archive of Rio de Janeiro’s Museum of Modern Art (Cinemateca do MAM) and is a founding member of the Brazilian Association of Audiovisual Preservation (ABPA). Rafael coordinated the project of restoration of the feature film Antes, o verão, directed by Gerson Tavares in 1968, and he is the creator of the blog www.preservacaoaudiovisual.blogpost.com
, the oldest website in Portuguese dedicated to film preservation. Finally, he was responsible for the local organization of the Audiovisual Preservation Exchange program of the Moving Image Archiving and Preservation M.A. at the New York University (MIAP-NYU), in Rio de Janeiro, in 2018.
As a film scholar, Rafael has published many books and articles on the history of Brazilian cinema.