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ARTICLES
The First Films of Adélia Sampaio: A Cinema of Positioning and Contrast
Kênia Freitas
The Filmmaker and the Saint: Juliana do Amor PerdidoAdriano da Silva Denovac
Twilight in VidigalIgor Nolasco
A Cinema Between Tragedy and Resistance: Sérgio Ricardo's Political PedagogyReinaldo Cardenuto
Menino da calça branca and Esse mundo é meu: Striking Articulations of Sound and Image in Sérgio Ricardo’s First Films
Esther Hamburger
a/v
Cripta I
Sérgio Ricardo aka João Lutfi
by Luís Rocha Melo
Sérgio Ricardo on Music and Cinema
by Luís Rocha Melo
LISTS
Fourteen Digitization, Duplication, Exhibition or Restoration Projects that Reenvisioned Brazilian Cinema History
Rafael de Luna Freire
A List of Brazilian Films Around “A Voz e O Vazio: A Vez de Vassourinha” (“Vassourinha: The Voice and The Void”)
by Carlos Adriano
Black Brazilian Filmmakers and Short Films: A Panoramic View
Heitor Augusto
Ten Brazilian Films that Remain in the Shadows due to Poor Accessibility
Rafael De Luna freire
INTERVIEWS
Daniel Paes & Victor Magrath on Pé Sem Chão and Bandeira de Retalhos
Questions by william plotnick
Estevão Garcia and Luís Rocha Melo on Que cavação é essa?
Questions by william plotnick and Gustavo Menezes
Sérgio Ricardo aka João Lutfi
Questions by Marcia Derraik
Sérgio Ricardo on Music and Cinema

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THE WORKERS OF THE CINEMATECA BRASILEIRA ON THE CURRENT CRISIS

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ALAIN FRESNOT ON NITRATO (1974)
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