Joyce Pais is a journalist, post-graduate in Digital Media, and creator of the Cinemascope portal and the Clube das Diretoras. She worked for the newspaper O Estado de S. Paulo, is a member of ABRACCINE (Brazilian Association of Film Critics) and Coletivo Elviras - Mulheres Críticas de Cinema. She has taught at the International Film Academy (AIC), Casa Guilherme de Almeida, Casas das Rosas, and the Cinema Institute (INC). Invited by Canal Brasil, she was part of the jury in festivals around the country such as CineramaBC, Mix Brasil, É Tudo Verdade, and Kinoforum. Curator of the short film competition at the 52nd Brasília Film Festival. Director and screenwriter of the documentary in post-production, Iracunda, that discusses Brazilian cinema through the eyes of women who are part of it.
Based in São Paulo, Brazil, Heitor Augusto works as an independent programmer, film critic, lecturer and translator. He programed Black Brazilian Cinema: Episodes of a Fragmented History, a retrospective hosted at Belo Horizonte International Short Film Festival and focused on short films spanning the period from 1973 to 2017. The retrospective was also accompanied by a 374-page catalogue, the most comprehensive effort yet to investigate the presence of Black directors. He has also programmed for other festivals, retrospectives and film clubs. He’s the head programmer for NICHO 54, an institute, of which he is a co-founder, working for the promotion of film education to Black Brazilians, as well as pushing for racial equity in the industry.
Through this his work has helped to uncover systemic invisibilities perpetuated by traditional approaches to film history, providing healing to historically shattered subjectivities, as well as being an integral part of forging his own identity. Since 2015 Augusto has been mapping the presence of Black Brazilians in film history and such material will constitute an innovative research to be published in 2021. In constant exchange with the African Diaspora, his current curatorial research focuses on experimental films and queer cinema directed by Black filmmakers, with a special interest in bridging Brazilian with American expressions. In American film, his main object as a researcher is Blaxploitation cinema, with which he’s engaged from a formal, aesthetics, historical, racial and political perspective.
Mariana Nunes graduated in Theater Interpretation at the na Faculdade de Artes Dulcina de Moraes (Brasília-DF), studied acting for TV and cinema at Instituto del Cine (Madrid-SPA) and has a long career in cinema as an actor in films such as Zama (Lucrecia Martel, 2017 ), Pelé – The birth of a legend (Jeff Zimbalist, Michael Zimbalist, 2017), São Jorge (Marco Martins, 2016), Overgod (Gabriel Mascaro, 2019), among many others .
Rafael de Luna Freire, Ph.D., is a Film Professor in the Film and Video Department and in the Film and Audiovisual Graduate Program at Federal Fluminense University (UFF), in Niterói, Brazil, where he is the Head of the Audiovisual Preservation University Laboratory (LUPA), the first film archive in Brazil dedicated to small-gauge film. Rafael has been active in the Film Preservation field for more than fifteen years. He was Head of Documentation at the Film Archive of Rio de Janeiro’s Museum of Modern Art (Cinemateca do MAM) and is a founding member of the Brazilian Association of Audiovisual Preservation (ABPA). Rafael coordinated the project of restoration of the feature film Antes, o verão, directed by Gerson Tavares in 1968, and he is the creator of the blog www.preservacaoaudiovisual.blogpost.com, the oldest website in Portuguese dedicated to film preservation. Finally, he was responsible for the local organization of the Audiovisual Preservation Exchange program of the Moving Image Archiving and Preservation M.A. at the New York University (MIAP-NYU), in Rio de Janeiro, in 2018.
As a film scholar, Rafael has published many books and articles on the history of Brazilian cinema.