Lucas Reis is a master's student at the Graduate Program in Cinema and Audiovisual at Universidade Federal Fluminense (PPGCINE/UFF) and works as a tutor for the Cinema - Licenciatura course at the same institution. He has already presented research and published academic articles about Brazilian cinema, including in the magazine Aniki (Portugal). He is a professor of Brazilian Cinema History and of cinematographic forms and styles in extension courses at the State University of Rio de Janeiro (UERJ) and a film critic for the sites CinePlayers and Calvero. He also writes about TV series at the site Serie Maniacos and about comics at the site Raio Laser.
Mariana Nunes graduated in Theater Interpretation at the na Faculdade de Artes Dulcina de Moraes (Brasília-DF), studied acting for TV and cinema at Instituto del Cine (Madrid-SPA) and has a long career in cinema as an actor in films such as Zama (Lucrecia Martel, 2017 ), Pelé – The birth of a legend (Jeff Zimbalist, Michael Zimbalist, 2017), São Jorge (Marco Martins, 2016), Overgod (Gabriel Mascaro, 2019), among many others .
Rafael de Luna Freire, Ph.D., is a Film Professor in the Film and Video Department and in the Film and Audiovisual Graduate Program at Federal Fluminense University (UFF), in Niterói, Brazil, where he is the Head of the Audiovisual Preservation University Laboratory (LUPA), the first film archive in Brazil dedicated to small-gauge film.
Rafael has been active in the Film Preservation field for more than fifteen years. He was Head of Documentation at the Film Archive of Rio de Janeiro’s Museum of Modern Art (Cinemateca do MAM) and is a founding member of the Brazilian Association of Audiovisual Preservation (ABPA). Rafael coordinated the project of restoration of the feature film Antes, o verão, directed by Gerson Tavares in 1968, and he is the creator of the blog www.preservacaoaudiovisual.blogpost.com
, the oldest website in Portuguese dedicated to film preservation. Finally, he was responsible for the local organization of the Audiovisual Preservation Exchange program of the Moving Image Archiving and Preservation M.A. at the New York University (MIAP-NYU), in Rio de Janeiro, in 2018.
As a film scholar, Rafael has published many books and articles on the history of Brazilian cinema.