Lucas Reis is a master's student at the Graduate Program in Cinema and Audiovisual at Universidade Federal Fluminense (PPGCINE/UFF) and works as a tutor for the Cinema - Licenciatura course at the same institution. He has already presented research and published academic articles about Brazilian cinema, including in the magazine Aniki (Portugal). He is a professor of Brazilian Cinema History and of cinematographic forms and styles in extension courses at the State University of Rio de Janeiro (UERJ) and a film critic for the sites CinePlayers and Calvero. He also writes about TV series at the site Serie Maniacos and about comics at the site Raio Laser.
Quelé Do Pajeú: Violence as a Formative Principle
Anselmo Duarte é uma figura singular no cinema brasileiro. Entre o final da década de 1940 e o início da década de 1950, alçou a fama como ator da Atlântida Cinematográfica e da Companhia Cinematográfica Vera Cruz.
/ INTERVIEWS A/V/ ARTICLES
In 1974, Sérgio Ricardo’s A Noite do Espantalho, shot entirely in the Brazilian state of Pernambuco, was shown at the New York Film Festival. It was not until forty five years later, when Kleber Mendonça Filho and Juliano Dornelles’s Bacurau came to the New York Film Festival in 2019, that Ricardo returned to New York City, this time through song.
/ INTERVIEWS
This past September, the staff of Limite had the opportunity to conduct an interview with the Workers of the Cinemateca Brasileira (Trabalhadores da Cinemateca Brasileira) , the collective representing the archivists and staff of Brazil’s largest film archive, who have been fighting for nearly an entire year for the survival of this vital institution.
/ INTERVIEWS
The following interview took place with archivist Hernani Heffner on July 4th, 2020. Heffner has been working at Rio de Janeiro’s historic Cinemateca do MAM since 1996 and is one of Brazil’s most important film archivists.
/ INTERVIEWS
