Adjunct professor at the Film and Video Department at the Federal Fluminense University (UFF), Reinaldo Cardenuto has a degree in journalism (PUC-SP) and in Social Sciences (FFLCH-USP). His research mainly focuses on the areas of History of Cinema and Dramaturgy.
Um Cinema entre a Tragédia e a Resistência: A pedagogia política de Sérgio Ricardo
“Esse mundo é meu” é uma das canções mais célebres do repertório de Sérgio Ricardo. Composta na primeira metade dos anos 1960, em parceria com o cineasta Ruy Guerra, sua letra é um chamamento à luta em prol da dignidade humana.
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In 1974, Sérgio Ricardo’s A Noite do Espantalho, shot entirely in the Brazilian state of Pernambuco, was shown at the New York Film Festival. It was not until forty five years later, when Kleber Mendonça Filho and Juliano Dornelles’s Bacurau came to the New York Film Festival in 2019, that Ricardo returned to New York City, this time through song.
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This past September, the staff of Limite had the opportunity to conduct an interview with the Workers of the Cinemateca Brasileira (Trabalhadores da Cinemateca Brasileira) , the collective representing the archivists and staff of Brazil’s largest film archive, who have been fighting for nearly an entire year for the survival of this vital institution.
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The following interview took place with archivist Hernani Heffner on July 4th, 2020. Heffner has been working at Rio de Janeiro’s historic Cinemateca do MAM since 1996 and is one of Brazil’s most important film archivists.
/ INTERVIEWS
