Santo e Jesus, Metalúrgicos I 1983
Cláudio Kahns & Antonio Paulo Ferraz

Alfred Hitchcock

Cenas de Família

Alfred Hitchcock

Alfred Hitchcock

Juliana do Amor Perdido

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FIlms | Filmes

November 28, 2022
Dissonant Militancy: Interview with Cláudio Kahns about Santo e Jesus, Metalúrgicos (1985)
By 
Victor Guimarães
& 
December 9, 2021
Helena Solberg on A Entrevista (1966) and Meio-Dia (1970)
By 
Fábio Andrade
& 
May 13, 2021
Diego Zon on Das águas que passam (Running Waters)
By 
Matheus Pestana
& 
William Plotnick
April 27, 2021
Ramon Alvarado
By 
Vitor Graize
& 
January 25, 2021
Daniel Paes & Victor Magrath on Pé Sem Chão and Bandeira de Retalhos
By 
William Plotnick
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January 1, 2021
Estevão Garcia and Luís Rocha Melo on Que cavação é essa?
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December 15, 2020
Sérgio Ricardo aka João Lutfi
By 
Marcia Derraik
& 
December 1, 2020
Kleber Mendonça Filho on A Noite do Espantalho and the Music of Bacurau
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William Plotnick
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Gustavo Menezes
October 27, 2020
The Workers of the Cinemateca Brasileira on the Current Crisis
By 
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& 
Gustavo Menezes
October 20, 2020
Alain Fresnot on Nitrato (1974)
By 
Débora Butruce
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Natália de Castro
September 23, 2020
Sylvio Lanna on In Memoriam: O Roteiro do Gravador
By 
William Plotnick
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Gustavo Menezes
August 24, 2020
Carlos Adriano on A Voz e o Vazio: A Vez de Vassourinha
By 
William Plotnick
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Eric Barroso
August 24, 2020
An Interview with Hernani Heffner on the State of Brazilian Film Preservation Today
By 
William Plotnick
& 
November 28, 2022
Dissonant Militancy: Interview with Cláudio Kahns about Santo e Jesus, Metalúrgicos (1985)
By 
Victor Guimarães
& 
December 9, 2021
Helena Solberg on A Entrevista (1966) and Meio-Dia (1970)
By 
Fábio Andrade
& 
May 13, 2021
Diego Zon on Das águas que passam (Running Waters)
By 
Matheus Pestana
& 
William Plotnick
April 27, 2021
Ramon Alvarado
By 
Vitor Graize
& 
January 25, 2021
Daniel Paes & Victor Magrath on Pé Sem Chão and Bandeira de Retalhos
By 
William Plotnick
& 
January 1, 2021
Estevão Garcia and Luís Rocha Melo on Que cavação é essa?
By 
William Plotnick
& 
Gustavo Menezes
December 15, 2020
Sérgio Ricardo aka João Lutfi
By 
Marcia Derraik
& 
December 1, 2020
Kleber Mendonça Filho on A Noite do Espantalho and the Music of Bacurau
By 
William Plotnick
& 
Gustavo Menezes
October 27, 2020
The Workers of the Cinemateca Brasileira on the Current Crisis
By 
William Plotnick
& 
Gustavo Menezes
October 20, 2020
Alain Fresnot on Nitrato (1974)
By 
Débora Butruce
& 
Natália de Castro
September 23, 2020
Sylvio Lanna on In Memoriam: O Roteiro do Gravador
By 
William Plotnick
& 
Gustavo Menezes
August 24, 2020
Carlos Adriano on A Voz e o Vazio: A Vez de Vassourinha
By 
William Plotnick
& 
Eric Barroso
August 24, 2020
An Interview with Hernani Heffner on the State of Brazilian Film Preservation Today
By 
William Plotnick
& 
Copyright © 2022
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FIlms | Filmes

May 11, 2022
Introducing Tocaia no Asfalto
By
João Pedro Faro
October 28, 2022
​​Worker, Phantom Character
BY
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&
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I do everything from memory: The Inheritance by Ozualdo Candeias
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João Pedro Faro
&
October 28, 2022
​​Worker, Phantom Character
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João Pedro Faro
October 13, 2022
I do everything from memory: The Inheritance by Ozualdo Candeias
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João Pedro Faro
September 20, 2022
My Name is Tonho: A Western of Hunger
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Filipe Furtado
August 15, 2022
Selva Trágica, Roberto Farias and Some Divisions in Brazilian Cinema
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Victor Guimarães
July 20, 2022
Offerings to the smelting of the Atlantic
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Thotti
July 6, 2022
Bahia de Todos os Santos: Expectations and Contradictions in the 1960s Film Scene
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Izabel de Fátima Cruz Melo
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So close to heaven
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May 11, 2022
Introducing Tocaia no Asfalto
BY
João Pedro Faro
&
April 27, 2022
Carnaval no Fogo: The Chanchada in the age of shabby reproduction
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April 15, 2022
Images of a Strange Carnival
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Flávia Cesarino Costa
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February 4, 2022
Fear and Desire. Before, the Summer.
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Juliana Costa
&
January 21, 2022
The Redemption of Jeca: Mazzaropi, Popular Artist
BY
Luís Costa
&
January 13, 2022
Go Inside, Woman: Geny Prado in the Cinema of Mazzaropi
BY
Erika Amaral
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November 15, 2021
Helena Solberg: Between the Marias, The Aleph, and the Counterculture
BY
Andrea Ormond
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October 24, 2021
Courage is What Cinema Wants from Us: Blackness and Queerness in Rosza Filmes
BY
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&
October 6, 2021
Hail Mary Time
BY
Igor Nolasco
&
September 27, 2021
Cold as a Razor Blade: Um clássico... and the Start of Queer Cinema in Brazil
BY
Mateus Nagime
&
September 9, 2021
Audiovisual Conjurations in the Films of Castiel Vitorino Brasileiro
BY
Kênia Freitas
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August 19, 2021
Alberto Cavalcanti in Recife: O canto do mar (1953)
BY
Luciana Corrêa de Araújo
&
July 27, 2021
Film Restoration in Brazil and the Advent of Digital Technology: A Brief Overview
BY
Débora Butruce
&
July 15, 2021
Quelé do Pajeú: Violence as a Formative Principle
BY
Lucas Reis
&
July 5, 2021
EARTH AND TRANCE: Hierophantic and Political Performance in Vereda da Salvação
BY
Bernardo Oliveira
&
June 21, 2021
Can a Movie Star Dream?
BY
Joyce Pais
&
June 9, 2021
Discovering A Margem
BY
João Pedro Faro
&
June 4, 2021
Torture and Extermination: State Violence in Genre Films from the Years of the Military Dictatorship in Brazil
BY
Patrícia Machado
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May 21, 2021
The World Seen and Dreamt
BY
Vitor Graize
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May 19, 2021
The Castello Station
BY
Margarete Taqueti
&
May 11, 2021
Some Notes on the History of Espírito Santo Cinema: From the Early Days to the 1990s
BY
Erly Vieira Jr
&
April 6, 2021
The First Films of Adélia Sampaio: A Cinema of Positioning and Contrast
BY
Kênia Freitas
&
March 30, 2021
Jece Valadão: Wanted Dead or Alive
BY
Filipe Furtado
&
March 11, 2021
About OS RAPTORES (Aurélio Teixeira, 1969)
BY
Pedro Henrique Ferreira
&
February 17, 2021
The Filmmaker and the Saint: Juliana do Amor Perdido
BY
Adriano da Silva Denovac
&
January 29, 2021
Twilight in Vidigal
BY
Igor Nolasco
&
December 27, 2020
A Cinema Between Tragedy and Resistance: Sérgio Ricardo's Political Pedagogy
BY
Reinaldo Cardenuto
&
November 22, 2020
Menino da calça branca and Esse mundo é meu: Striking Articulations of Sound and Image in Sérgio Ricardo’s First Films
BY
Esther Hamburger
&
November 18, 2020
Audiovisual Preservation in Brazil and the Cinemateca Brasileira Crisis: The Missing Link in the Audiovisual Industry
BY
Ines Aisengart Menezes
&
November 5, 2020
Menino da calça branca: Social Lyricism and Bossa Nova
BY
Luíza Alvim
&
October 30, 2020
Fourteen Digitization, Duplication, Exhibition or Restoration Projects that Reenvisioned Brazilian Cinema History
BY
Rafael de Luna Freire
&
October 12, 2020
Home Movies, Amateur Films and Film Archives: New Paths in Film History and Film Preservation
BY
Lila Foster
&
September 3, 2020
Filipe Furtado on Vassourinha: The Voice and the Void
BY
Filipe Furtado
&
September 1, 2020
Abolition: the Atlantic Cinema of Zózimo Bulbul
BY
Bernardo Oliveira
&
August 24, 2020
Excavations and Recollections around Zózimo Bulbul's Abolition
BY
Marcell Carrasco
&
August 24, 2020
A List of Brazilian Films Around “A Voz e O Vazio: A Vez de Vassourinha” (“Vassourinha: The Voice and The Void”)
BY
Carlos Adriano
&
August 24, 2020
Ten Brazilian Films that Remain in the Shadows due to Poor Accessibility
BY
Rafael de Luna Freire
&
Copyright © 2022
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FIlms | Filmes

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‍EXPERIMENTAL CINEMA
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EVENTS / EVENTOS

‍HOME MOVIES / FILMES DOMÉSTICOS
VIDEO ESSSAY / VÍDEO ENSAIO . EXPERIMENTAL CINEMA
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‍EVENTS / EVENTOS . HOME MOVIES / FILMES DOMÉSTICOS
May 3, 2021
·
Nenna
opera-K
November 26, 2020
·
Luis Rocha Melo
5 X Sérgio
August 24, 2020
·
Juliano Gomes
Black skin, white suit: an introduction to Compasso de Espera
August 4, 2020
·
Michel Schettert
Esse Mundo É Fluente
Copyright © 2022
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Cinelimite is a 501 (c)(3) non-profit organization.
All donations are tax deductible.